Showing posts with label Jewish traditions Cemetery. Show all posts
Showing posts with label Jewish traditions Cemetery. Show all posts

Friday, December 9, 2011

In Heaven, Underground


In Heaven, Underground, documents the lively continuing history of Berlin-Weissensee, the largest active Jewish Cemetery in Europe.  The engaging work of award winning director and producer, Britta Wauer, this film beautifully portrays the joys and sorrows of Weissensee through the lives of people intimately involved in the past, present and future of the cemetery.

Incredibly, the graves and monuments of Weissensee Cemetery in Eastern Berlin survived the Nazi Regime and WWII undefiled.  Superstitions left the cemetery a refuge during the early years of the Reich, and even after all of it's community was deported, the circumstances of war and priorities allowed the cemetery to remain untouched.     



Untended during the war, and shut off from the West after the partition of Berlin, the physical damage to Weisensee took the form of overgrowth and monument decay.  Already lush, the cemetery became a forest in the middle of a major metropolitan center. 

Today, cemetery staff and volunteers are gradually bringing the cemetery back to the glory that it once was.  We see the present day casket builders, groundskeepers and masons, rabbis and administrators at their work and in reflection.  We see Holocaust survivors, and descendants of the cemetery's dead returning to find graves that they thought were lost forever.  We hear of joyful times spent within the cemetery walls.  We see very personal loss, and gain an understanding of just how important a cemetery can be to survivors.      



The cemetery is a museum, an archaeological dig, and a village.  It is a place of old stories waiting to be rescued and new ones waiting to unfold. The stories that are shared here are always touched by a profound sadness and sense of loss, but shining through also are the individuals who make up the story of  Weissensee, their humanity, their contributions, and the spectacular beauty of this treasure of a cemetery.   

  



For more information about this documentary,visit 7th Art Releasing

Sunday, April 11, 2010

Yarn Bombed Headstone, Pebbles, and Seed Corn

04/11/2010
art and death
Yarn Bomb Project by Jen Cantwell

Placing pebbles on a cemetery monument is an ancient Jewish custom originating in the desert. Yarn bombing, or Guerrilla Knitting, is a postmodern urban art form. What on earth can the two have in common? They both say "I was here" in a gentle and moving way.

art and death

Last week I met with the family of a wonderful man who died doing what he loved to do- sell feed corn. His funeral plans were to have a wake in the evening so that his many many friends could have a chance to visit and say good bye to him. Again, the next day, he lay in state at church before his service. Even though he wanted to be cremated, it was important to him that his grandsons have a chance to carry him out- to participate; to honor and be honored.

art and death memorial
As we spoke about the cremation to come, the topic of urns came up, and as the man had always been frugal, his family joked that he might be comfortable in an old tin can. I joined in by suggesting that the family could knit a cozy for the tin can urn. As it turned out, the family was more comfortable purchasing an urn that was designed for burial. One that would not break down in the earth.
art and death
Even the monument's letters have cosies
Just two days later, I was sent a picture of Jen Cantwell's incredible knitted cemetery monument project by craft blogger Sarah Brazier (please check out her consistently entertaining blog The After Craft and her Etsy Shop, Flail of the Flair for many more creative ideas.) I knew I had to share this wonderful intersection of art and death with my readers.

art and death
Yarn bombing is a fascinating movement that challenges our ideas about people, art, and expression. Participants seem to revel in the perceived contradiction between knitting and graffiti. While the work may be technically illegal, or at least might require some sort of permit, it is, as the writer of the 'Deputy Dog' Blog puts it "the world's most inoffensive graffiti." Like graffiti, artists leave their 'tags' in a public place, and the art is seen in the context of the public sphere, rather than the gallery or museum. Seeing a knitted up light post or phone booth challenges our expectations of the world and our expectations of art's boundaries. Then, the fact that this unauthorized and unexpected intervention was done in such a warm, fuzzy and non damaging or intrusive way challenges us further still. We must ask ourselves not only if this is beauty, art, or meaningful; we must ask ourselves about our own preconceptions about people and the rules of public discourse.

art and death
We see here three monument cosies. Does this effect the way we see these and the rest of the monuments?
It is indeed the gentle nature of yarn bombing that makes it so subversive and challenging. If these artists had actually damaged the public and private property they act upon, they could be dismissed as vandals, but because their art has such comforting and protecting properties, we are charmed, beguiled and challenged into thinking about its message.

ritual art and death
There are many messages that can be taken from guerrilla knitting projects, and each project has its own unique qualities. One that resonates through them all, however, is the message that someone was here. A caring thoughtful person was here, and left this art for the public to freely contemplate and enjoy. One day this project will fall apart, or be lifted off, and no harm will have befallen the adorned object. Like all of us, it will pass away, perhaps without a trace. But, for now, here it is to charm and challenge us.

art and death

This brings me back to the pebble. We leave a pebble to continue building upon a monument of a friend or loved one. We leave it to bring attention to the grave, to let others know we were here, and that the person mattered. They have gone on, and perhaps in the years to come, they will be forgotten by all of the living, but for now, and until the pebble is taken away, we all see that the grave was visited and the memory cherished.

art and death
Knitted roses left on the crypt. Graffiti?

Like a knitted cozy, a pebble is a gentle gesture, but like the cozy it is powerful too. When people come to understand the power and transcendence of gentle unexpected acts, we will rejoice in a better world.

The man who sold feed corn had served his country in the Army. Following his service at church, Military rites were performed outside, and it was a powerful and moving ceremony. I then called the pallbearers forward once more and helped them place their grandfather in the hearse. I was about to close the door, when I heard music. At each of the children's weddings, this man had sang a sweet and humorous song about love, and now the family was singing the same song back to him. I stood at the hearse holding the door open while they sang. This man's faithful service and willingness to fight for his country had left a wonderful legacy for his family and our country, and so did his gentle gestures of love.


art and death memorial
Yarn bomb in front of the Tate, image from Perl Interrupted © Lauren O'Farrell, 2009.

art and death
Pink M.24 Chaffee by Marianne Jorgensen, image from the Craftzine blog

For my article on Graffiti Memorials, visit

For more about yarn bombing, visit

For more on the Jewish custom of leaving pebbles on gravestones, visit

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Funeral service faces a crisis of relevance, and I am passionate about keeping the best traditions of service alive while adapting to the changing needs of families. Feel free to contact me with questions, or to share your thoughts on funeral service, ritual, and memorialization. dailyundertaker@gmail.com

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